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In practice the process of translation has thus rending the general theory of translation opposite trends.
In fact, why, say, the translation of literary texts should be (as often happens even now) regarded as a special, separate from the wall of characterizing the translation of other texts? Does, for example, The uniqueness of the language of literary texts the very essence of the translation work?
The specificity of literary translation is to be seen in the transmission of linguistic features and imagery of a literary text. Consequently, only compounded the problems solved translator, the very same activity remains the same. This suggests the conclusion that the theory of literary translation should be an integral part of the general theory of translation. The same can be said about the technical, military and other kinds of translation. Characteristically, the literary critics themselves increasingly aware that development of the theory of literary translation cannot proceed successfully without the data of modern science of language and speech, and no longer insist that literary translation, the domain of pure art.
More recently very fashionable was the next question: Translation - art or science? Currently, such a question, in our opinion, has lost its polemical acuity, as now, apparently, it is clear that consideration of the translation of any text cannot occur without taking into account the latest linguistic, psychological and psycholinguistic findings.
Consequently, the time has come, given the «application» for transfer from the growing number of disciplines, along with the development of specific theories of translation, and further develops a general theory of translation.