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In the era of John Dryden major English translations of a connoisseur and critic, in accordance with the teachings of his proposed transfer to divide: Metaphrase, that is, the so-called-word, or subscript, translation and paraphrase, which is a more meaningful presentation of text, in whole or separate parts ("enlightenment text"), sometimes accompanied by an explanation of translation, and imitation, which is a translation, an imitation of the author's product When the translator as it makes their work on the basis of the original, not caring particularly about the accurate transmission of any words or meaning, and takes into account only the dominant in this era of aesthetic taste of the public.
Simulating transfers are particularly characteristic of the translation of poetry. Referring to this kind of translation, the translator is trying to express be not original, but himself.
The most famous of these methods - the method of paraphrase. (Keep in mind that a paraphrase - a concept that corresponds to the English word rephrasing, that is, the transfer represents the same idea in other, words, and in the same language.)
When people talk about the substitution of the true translation of adaptation (adaptation), it is meant to bring a free version that is a translation when the translator of the text further away from the limits.
Only presenting itself to the highest professional standards, the translator begins to clearly understand, to feel, when it fully and accurately recreate the "spirit and letter" of the original and when he did not succeed.
Changeling paraphrase translation (retelling) and frequent phenomenon.
Finally, the translation is sometimes likened to the process of interpretation (interpretation), under which, incidentally, can be kept in mind not just the interpretation of the original (narrow interpretation of the meaning of the term), but a special form of translation, based on the address to the extra-linguistic reality.